From rural Arkansas () to Los Angeles’s Koreatown neighborhood () to 1910s Hawaii (Kayo Hatta’s Picture Bride)
and beyond, Asian American and Pacific Islander filmmakers have covered
a lot of ground, literally and metaphorically, over the years.
To celebrate these filmmakers and their
in the United States (and
in Canada!), we’ve dipped into our archives to put together a list of
coming-of-age stories and intergenerational family dramas that have
played the Sundance Film Festival or gone through Sundance Institute
programs over the years.
In this genre-spanning (but certainly not exhaustive) list, you’ll find
immigrant stories, LGBTQ+ romances, historical dramas, and so much more. Most are available via streaming, so get ready to add a few titles to your queue.
Winner of the U.S. Grand Jury Prize: Dramatic at this year’s Sundance Film Festival,
has been lauded by critics for shedding light on the Asian American
immigrant experience. The project was inspired by Chung’s memories of
his family relocating from Los Angeles to rural Arkansas in the ’80s
when he was a kid, and it stars Steven Yeun (
Burning, The Walking Dead)
as well as scene-stealing newcomer Alan S. Kim.
The A24 film hasn’t hit theaters yet; keep an eye on our What to Watch blog for updates.
The Moon and the Night (2018)
Native Hawaiian filmmaker
brought her short film The Moon and the Night男女啪啦啦超猛烈视频-啪嗒啪嗒高清视频在线观看 through Sundance
Institute’s Native Lab in 2017. The 19-minute coming-of-story follows a
teenage girl named Mahina who is forced to stand up to her father when
he threatens to enter her beloved pit bull in a dog fight.
Spa Night (2016)
(winner of the U.S. Dramatic Special Jury Award for Breakthrough Performance) as a
closeted Korean American teen whose world is changed when he gets a job
working at a spa in Los Angeles’s Koreatown neighborhood.
Ahn—who first came to the Festival with a short,
, in 2011—brought Spa Night through the Screenwriters Lab in 2014.
Native Hawaiian filmmaker Ty Sanga’s short Stones
tells a mythical Hawaiian tale about a family torn between preserving
their native land and life and embracing new people and cultures. Sanga
screened the project at the 2011 Sundance Film Festival, and followed it
up with 2013’s Boom and 2018’s
Children of Invention (2009)
“For immigrants, the American Dream has always been a symbol of
success that meant achieving a new life far removed from past
hardships,” wrote Sundance Institute’s Rosie Wong in the 2009 Festival catalog. That year,
debut feature about a Chinese American family living in suburban Boston
had its premiere in the Festival’s American Spectrum category.
In Between Days (2006)
“In Between Days is the kind of distinctive filmmaking that
leaves you enriched but also melancholy,”
in the 2006 Festival catalog about the project about a Korean immigrant teenager living in Canada. “It is at once a love story and
a neorealist depiction of assimilation, as well as an exploration of
intimacy, communication, and human need. Director
So Yong Kim has
fashioned an affecting, multifaceted story that resounds with quiet
humanity and truth.”
The Motel (2005)
Michael Kang’s acclaimed debut feature—which
went through Sundance Institute’s 2002 Screenwriters and Directors Labs—tells the story of a Chinese American 13-year-old named Ernest
(Jeffrey Chyau) who helps his family run a budget motel. “Kang's
characters, brought to life by a talented troupe of actors, are
sensitively drawn, genuine, and heartfelt,” wrote programmer Shari
Frilot when the project premiered at the 2005 Festival. “
The Motel is a
treat as a peek into childhood and all of its clumsy victories.”
Stream it now on or .
Saving Face (2004)
If you caught Alice Wu’s sweet teen romance, , on Netflix when it premiered earlier this spring, you’ll want to make sure to watch Saving Face, the director’s 2004 debut. Set in New York City, and centering on a love story between two young women, Saving Face was a personal one for its writer/director, who was inspired to write the script after coming out to her mother as a lesbian.
Better Luck Tomorrow (2002)
Before he took the helm of Hollywood franchises like The Fast & the Furious and Star Trek, Justin Lin brought his solo directorial debut, Better Luck Tomorrow, to the 2002 Sundance Film Festival. (He co-directed an earlier independent film, Shopping for Fangs,
in 1997 while he was still a student at UCLA.)
Better Luck Tomorrow
delves into the lives of a group of Asian American high school seniors
who transform from scholastic overachievers to mischievous petty
Rent it now on or .
Picture Bride (1994)
“Picture Bride is an enchanting labor of love by Hawaii-born Japanese American filmmaker Kayo Hatta,” wrote Catherine Schulman in the 1994 Festival catalog. “Shot by the masterful Claudio Rocha (,), and starring the extraordinary Youki Kudoh (Mystery Train, Ryukyu no Kaze), the film is an inspired portrayal of Hawaii's plantation era.”
The Great Wall Is a Great Wall (1986)
When it premiered at the 1986 Sundance Film Festival, Peter Wang’s A Great Wall had the distinction of being the first U.S./China co-production since World War II. Written by Wang and Shirley Sun (director of the 1990 Festival selection Iron and Silk), the film stars Wang as Leo, a middle-aged Silicon Valley computer programmer who left China as a teenager. Leo decides it’s time to bring his Americanized son to Beijing for the first time, and a collision of cultures ensues. From the 1986 Festival catalog: “This gentle comedy is full of insight about the perceptions and misconceptions of each culture’s view of one another.” Rent it now on .
Dim Sum: A Little Bit of Heart
After finding success with his 1982 comedy-drama (streaming now on Kanopy), writer/director Wayne Wang brought his 1986 follow-up, Dim Sum: A Little Bit of Heart, to the 1986 Festival. The story follows a San Francisco grad student named Geraldine Tam who feels torn between her desire to be more independent and her obligations to her family.